![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE4VEaBHWtq7Aulxqz67f7qY7YSJGIOlq5fxXTGUrUuAmDafgdxSNHpZ0XN8en-LhMH8l0vrCR34s93qw1aKjPNbHFmc35SHGwZkNsdBJN8Y8SC_DYUWLtwzn7ebdogVS2TLleecOHcA/s320/archive_3648_SusanneVielmetterLosAngelesProjects-1.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimHhTOkF_XTjL1OIre_0_46m4LbQguWVaFxfbx8AIgyVcEOdzmsL85o_8IZD4MA3zavcasc0WtOhIg6guXZ2zfB1FT06dWGIGxxsmhskvV91zuevPMtTDiQ2CDOWP1jZJeU52K8BerYw/s320/devine.sillman.ObjectOnTableHi.jpg)
I've been looking at Amy Sillman recently because of her approach to color and form. I like the combination of geometric shapes and hard edges with the general field work. I also enjoy her ability to create intimate moments within fields, through independent strokes of color and line.
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