![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9PGuzWeigTJ2jMG2nRnyizQ_sSw7SHn5JTP8Z2_WqdFYjADZKoq9ovcn3mPqWOx0G6CrmTVkZOWSThbS1o6gjFDGhGGRPX2H2aLEU8CcrFfbWL5Vi0AamhmmpzamTnqP5lgmi5O3mbAcm/s320/Julie0D0AMehretuAtlanticWall200809.jpeg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQGYzpWjlzMXqzyLoOFv3pMoZH9IVKWXEGdCke_AZXniqKll9p15YveZcEiC81ItYPY30Ym0sGAPTHz5XGoHySJqJm3VwJWY8jQOV5afcrrjuLujzmhpI-mEzodg8q8eyT-03X7rWHqwZ9/s320/grid_in_phone_book.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJiuPs7x3x5bglRad_vDuhC8R1FfzH3QLdRk06NZaIdRxPAazOEtCGQTEgV82i1rxSOYNr2ioJmgdHSwngj1PdniTt5r_eixbajlfoTZHX3_-eLalsZAwUrnT17INpMHxpxB1EK6apJ2Ly/s320/curvilinear_mimicry_grid.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaNnkUbnZbbj3JyOj8RZ4Kk9ztuAc4PXpZj3CywH3kWealpTznu0Gl0YZlOOKNfTmPp7fP9QldCwcQdmBGYNPwuelM0tTa23gOEsinA7REW5UT_00zHX2MhHHg-MAXjglaJuvl700o0ZtG/s320/linear_mimicry_grid.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2mATD9BhIIFDniZ9FeTX0pIgKeONOfJhCAd2_LTwapYZMQmWkooLmYEv8Fuj6A-n5dOJY9j-MozoY8vhXB0A0GlG5UG-Eq4tBbomquNw6_nOByn6V1_Y5vJxpQSZ3pnRKB1qteV5FWhvM/s320/linear_grid_embossedlines.jpg)
Included in this post are four of my recent drawings (bottom), one of which is from the phone book drawings I mentioned last week. The others are two different grid-formed structures, using linear and curvilinear projections in pen to create the structures. In two (the seemingly blurry ones) I mimicked each line of the grid structure made to attempt to make a 3-D effect (anyone want to lend me some 3-D glasses?). The black and white drawing is made from charcoal on paper that I embossed with a tool of my own creation. The artist I have included is Julie Mehretu, who my work is beginning to resemble, at least in terms of painting. The painting is from her Grey Matter exhibition at the Guggenheim a few years ago. Her imagery is more specific and shows a repertoire of images, ranging from representations of architecture and/or architectural plans to icons and symbols, which, through formal dynamics are made to look 'exploded', or as though a hurricane swept through our material as well as platonic reality.
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