These are images of my work from the critique. The checkerboard and pyramid-like sculpture piece were both methods of interjecting an element that would override the dominance of the corner 'point' (where all three edges converge), by which we can identify the corner. One method, the checkerboard, was an optical/perceptual approach and the sculpture piece is physical and perceptual, by both physically blocking one from approaching the corner and mimicking it - but reversed.
The digital image pieces (internet collages) were random assemblages aka samples from the image searches I did with randomly generated strings of letters. The grid format was not only a simple method of arranging the images but also referred to digital imaging. The later variations of this large compilation (462 images total) have their resolutions destroyed so to reduce the entirety of each individual 'sampling' to a single or few local colors, making both a 'digital' image as well as a reference to color swatch painting.
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